Archive for January, 2009

The Bus-Driver

I’ve just been going through old files (I never delete anything I write) and found this beginning to a story I was going to write a few years back.

I’ve never been really sure of my ability to write good prose; it always seems a bit too wordy when I read it back, and I’m always afraid that my attempts at descriptions are like bad teen fiction (that’s fiction written by teens, not for them).

Anyway, I’ll throw this one out there for you to read. It follows a bus-driver doing his job, and the lives of those who get on and off his bus. I think the last couple of paragraphs are especially crap, but there are at least a few good ideas. Here it is:

The Bus-Driver

Tom sat, his eyes fixated on a small droplet of water which had just landed on the screen about a foot above him. “Bloody rain” he thought, as the noise echoed tinnitus-like on the flimsy metal panels. The droplet begrudgingly began to slide down the pane, nudged and prodded by other, bigger droplets like a timid schoolchild in a new school. After barely a second, it was slipping excitedly down the screen with the others, leaving Tom pondering the idea that life was one big wet slide down a wind-screen, and that it would be better for everybody if God just switched on the wipers and put us all out of our misery.

“Time to wake the giant” thought Tom, and he turned the key in the ignition. The framework of the bus shuddered, as if it had been rudely awakened and realised how chilly it was in the depot. Any droplets that were left clinging on had now been shattered by the vibration, and new droplets that had just fallen were now violently shaking and juddering and thinking it might have been nicer to have fallen into a hedgerow or a birdbath.

Tom’s watch confirmed that he still had three minutes before he was due on route. He grasped the wheel with outstretched arms, pushed himself back into the soft leather seat and sighed. What a challenge today would be! A truly appalling morning; sticky, drizzly, seep-down-your-back rain, gloomy sky, poor visibility. And he knew that the cold Arctic wind would add even more to the misery, skilfully whistling its way through bus-shelters that must have been designed in the Caribbean – the only place where a Perspex house on stilts with two gaping holes is an ideal design for a shelter.

Thank God he was there to add a touch of brightness to people’s lives. From the vantage point of the driver’s cab, he could see the world rotate about him. Drivers, delayed and stressed, to his right. Passengers, forlorn and trapped to his left. And ahead, a journey with him as the host, turning a humdrum trip into a shelter from the elements, an opportunity for thought, or just a shared experience with fellow human beings. Before setting out, he always tried to imagine what his future passengers were doing right now. Some had undoubtedly already left the house, and were battling with mischievous brollies that flapped and twisted themselves inside out at the merest hint of a breeze. Those boarding later on would probably still be stirring sleepily from their dreams, or having a desperate attempt at last-minute sex before being rudely interrupted by Terry Wogan, a medley of Bert Kaemphert and a traffic round-up.

“Wagons roll…” he mumbled, and swung the double-decker out of the gates with the power of a charging elephant.
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It was to be Maureen’s third interview that month, and she was dreading it. Things had already begun to fall apart – she’d lost the piece of paper with the job description on, and so wasn’t even sure what the job entailed. It was certainly a managerial position, that much she could remember. Her boyfriend had grown tired of seeing her trapped in a role “on the front line” as he’d called it. It certainly could be demoralising, answering the phone all day to customers wound up initially by the interest charged on their statements, and then even more by a five minute wait on hold listening to 3 different orchestral arrangements of “All Kinds of Everything”.

But did she really want the extra responsibility? She didn’t really know much about organising things, she was just good at talking to customers. And she enjoyed it. She didn’t enjoy interviews. All those questions you were meant to have prepared for. Her last interview was in front of a panel of six. One of them, who she could have sworn was her old maths teacher, looking exactly as he had done thirty-five years earlier, asked her what her two greatest weaknesses were.

“Cream-horns and George Clooney” she had answered. She didn’t get the job.

Just time for one last check through her handbag. Mints for her breath, tissues, bottle of water, mobile, Good Luck card from Andrew, pen, lucky thimble that her nephew had found in the gutter (!?), tampons, lip-salve, address book and purse. Oh yes, and she’d better take one of those breakfast muesli bars in case her stomach started to rumble – the worst thing that could happen in a silent room while you were being questioned about corporate responsibility.

A glance in the full-length mirror revealed an efficient-looking business-woman with lofty aspirations and the ruthless nature to achieve them. The woman who had just dashed upstairs to change her skirt because she’d splashed toothpaste down it was nowhere to be seen.

“Come on girl, you can do it.”

And so, at 8.33 Maureen stood on the doorstep dressed in a white blouse, dark grey jacket and skirt, black shoes, with a black leather attaché case under one arm and a Burberry handbag slung over her shoulder. She inhaled the fresh dewey air and, looking up into the foreboding, waterlogged clouds, put up her Scooby Doo brolly, and closed the door.
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At the bus-stop, the schoolchildren were doing what they do best.

Natasha, who was going out with Simon, but who had snogged Raj outside her mate Sarah’s house last night was dying to ask Leone for advice about either dumping Simon because he was a lame kisser or sticking with him because he had a four-door Cinquecento.

Hilary was worried that Louise wouldn’t be her friend any more because Matt had invited her to his birthday party but hadn’t invited Louise who secretly fancied him and was the whole reason Hilary had started talking to Matt in the first place, because Louise really didn’t know what to say, and boys weren’t that interested in boybands or make-up anyway.

Ian was praying that Michael had done his maths homework so he could copy it on the bus because Mr Thorley had said that anyone who didn’t hand it in this time would be put on report, and his parents were already unhappy about him using the pedal bin as a lavatory when he came in drunk from Sarah’s on Friday.

It was rush-hour. An endless procession of white labourers’ vans with tattooed arms pushed up against the passenger windows, grey family saloons with grey-collared executives mentally calculating their grey month-end bonuses to fund their even greyer lives, and 4-wheel drive monsters utilising all of their traction, gear and 7-litre engine capabilities to transport little posh children to school. And, like the smug hare mocking the weary downtrodden tortoise, they occasionally stopped in front of the piss-stained shelter to inspect the unfortunate victims of a public transportation system that thinks two buses an hour is a bit of an extravagance.

The school-kids bickered, sniped and gossiped with each other, oblivious to the 93-year old lady waiting patiently alongside – outside – squinting through the drizzle in the direction from which the bus would eventually arrive. And when it did, she mourned the silence now broken by the noise of the engine, and wondered what the nice quiet children had been doing, tapping away frantically on their small telephones with only the occasional bleep of the gadgets breaking the silence.

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2009: Diary Update

This is the first update of 2009 (*edit – it’s clearly not, look below), and I’m afraid it’s a bit of a me-me ramble. I’ll label this type of blog as ‘diary updates’ as that’s really what they are. So if you’d prefer to read more focused content instead of a few random mutterings, then please skip these entries.

The new year has started pretty well, with me sticking to all the plans and intentions I had in mind at the end of ‘08.

I’ve got back into my health and fitness regime which had slipped from about the middle of November. I didn’t go mad on the Christmas food, but it is really tough to be good when other people are doing all the cooking and it’s all very tasty (but naughty) stuff. My trainers at the gym are getting me to lift some frighteningly big weights which I’m managing to bench, so I suspect they’ve been weighted with helium. That said, I can do 50 press-ups in a hit which is 49 more than I could manage a year ago. The guys responsible are at Reaction PT and they are a must-see if you’re thinking of getting fit in Birmingham.

Writing-wise, the last two weeks have been positive, if not hugely productive. It’s weird how my comedy writing goes in phases: at the moment, I’m in ‘ideas’ mode, which means that I’m writing down lots of funny ideas, situations, plots, characters and lines, but nothing that really links up. At some point, I’ll go into ‘flood’ mode, and will probably write an entire CLP in a weekend. Then there’ll be a two-week block, and then I’ll spend another two weeks making good progress on the sitcom or stand-up, and so it goes on.

Yes, the sitcom is back. I was looking through my note-books the other day and was amazed at how many times I’ve returned to the same idea to work on it from different angles. So I’ve added it to this year’s ‘things to complete’ list. I was also inspired by the DVDs of the ‘IT Crowd’ (series 1 and 2) because I’ve been listening to Graham Linehan’s commentaries. It’s my favourite sitcom of the noughties, and appeals to me because it’s silly and funny and just makes me laugh. As a good comedy should.

I’ve thought of some cracking characters for my show – many of whom are recurring bit-players with quirks that the audience will enjoy spotting from week to week. I’m not revealing the idea on here as original sitcom ideas are hard to come by (and much sought after). I just wish I could skip to the end and have the finished script ready to market – at the moment it feels like one of those impossible double-sided jigsaws which you know will fit together eventually, after a huge amount of toil and sweat. It’s not going back in the box this time.

I’ve got some good stand-up material too, but I need to decide how I’m going to deliver it before I can fine-tune it, and that’s the real sticking point. I’ve been watching quite a bit of stand-up on TV and have noticed how a lot of the comedy is enhanced by larger-than-life expressions – whether visual or verbal. I will need to use this, as some of my material depends on being exaggerated to absurdity for its laughs, and so I need to be careful that any comic persona I take on enhances this rather than restricts it. The conundrum now is that I could probably exaggerate better as myself, but that’s not how I want to perform. More thought needed…

As for the distractions – I’m still on my self-imposed ban from Facebook and Twitter (Ha! Up yours Doctor ‘You’ll be back!’ Linguist) and haven’t watched a single second of Celebrity Big Brother. (We’ll ignore my unfortunate viewing of the new ‘Dancing on Ice’ as an aberration; I shall continue to chant ‘Jeremy Edwards in a lycra top is no justification for watching ITV’ and hope that I am mentally strong enough to resist this weekend.)

Great things about this month: the Anne Frank dramatisation on BBC1, George Bush finally on his way out, and discovery of miracle £2-a-day car park in the city centre!
Rubbish things about this month: the looming 07/08 tax bill, endless doom-and-gloom news bulletins, and the fact that it’s followed by February.

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It’s Working!

Freed from the shackles of the TwitFaceSpaceBook, and justifiably smug at my avoidance of Celebrity Big Brother, there are some stand-up comedy routines taking shape!

I’m developing two routines: the first is about health and safety, which has some great potential for visual comedy and audience interaction as well as funny wordplay. The character who will deliver that routine is not yet fully-formed in my mind. I don’t want him to be too obvious (nerdy/geeky) but at the same time he must be a bit of a dullard. It’s just working out how to characterise that in both the visual and vocal. My template for the character would be that of Moss in the IT Crowd who manages to use the stereotypical ‘nerd’ voice without becoming too much of a cliche. But it needs to be different.

The second character is a variation on the air-headed, camp presenter on the Topical Pish segments in CLP. The routine would be based around absurd celebrity gossip, possibly using a copy of ‘Heat’ or ‘Hello’ to read from as a prop. He wouldn’t necessarily have to be camp, but there must be an element of stupidity there. The nearest character type would probably be Ivan Brackenbury – someone who is not aware just how daft he is. He would also be very excitable.

The easiest routine to develop is without a doubt the Health and Safety one. There are so many possible angles; anecdotes about H&S disasters, bizarre H&S tips, H&S myths, and all the different categories such as food hygiene, office H&S and even workplace stress.

My biggest hurdle at the moment (at least for the H&S guy) is the lack of a character name. It needs to be odd-sounding rather than out-and-out nerdy, and needs to suit my physical appearance as the character. I see him wearing an unnecessary high-vis jacket (or at least high-vis patches on his jacket), wearing a shirt and tie and carrying a rather formal-looking briefcase. Not sure what type of hair he has though.

I’ve spent a couple of hours thinking and writing tonight, which is not bad after a first (tiring) day back at the office. I’ve also discovered that I am much, much more productive with a notebook and pen than I am with Word, even though the latter is more useful for editing. So from now on, it’s notebook for ideas, thoughts and script-dumps (when a complete routine gets in my head and has to be recorded somewhere!) and Word for the fine-tuning and editing into a coherent routine.

Considering I started the day by slipping on ice in front of a bus-stop full of people, it’s not turned out so bad. Who knows – that may have got me my first laugh of the year…

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Steps to Goal Success – Break It Down

A rough post as I’m thinking:

The goal is to perform stand-up comedy as a character on-stage, live, in Brum. But that (as I know full well because I teach goal-setting) is a poorly-stated goal. I need a time-limit and I need it to be more specific.

So the goal is:

“To perform a 5-minute routine in character in front of a public audience in Birmingham before the end of…” – er – when? I’m not sure. So let’s have a look at the steps I need to make to get there.

1) Develop and realise the character.
2) Write and memorise the material.
3) Handle the nerves.
4) Find the performance opportunity.

(1) is well on the way.
(2) will develop from (1) and from a lot of practice and dedication.
(4) Shouldn’t be too hard – there are a few comedy-friendly pubs dotted around Brum.
(3) is the real barrier. But I think I learned a valuable lesson from conquering a recent phobia – there is no easy way, you just have to work through the pain. And you have to want it enough to bear it. And I do; I want this a hell of a lot.

So how long to achieve this? If I give myself too long, I will over-analyse it, procrastinate and push it to its death. Not enough time, and I will be ill-prepared and will set myself up to fail.

Maybe I should aim for the character and material to be ready and honed in 3 months, and then spend the summer hunting around for performance opportunities. I quite like the idea of summer ‘09 discovering what it’s like to get some laughs and a round of applause. Which is obviously a best-case scenario…!

I’m even thinking of alternative modes of ‘performance’ too, which might help the nerves and the character’s development. An afternoon in character at Speaker’s corner in Hyde Park? In-character video vox-pops with the general public? Could generate some useful YouTube footage too.

*edit* for reference: http://www.guardian.co.uk/stage/2008/jul/21/comedy

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