Archive for April, 2008

If I was a techno geek, you’d get posts like this…

Woke up at 7am to the voice of God. Yes, it’s Adam Curry on the Daily Source Code thanks to my Pure Chronos iDock DAB/FM Clock Radio with iPod dock and 4 independent alarms. Man, you gotta love that adjustable sleep timer.

After a quick sloosh from the Triton 2000 (powerjet configuration this morning), it was downstairs to flick on the Rowenta cordless and fill one of the 6 inch diameter breakfast bowls with some Cornflakes from Kelloggs. Make a mental note to buy some more bowls – I definitely need more capacity.

Back upstairs to clean my teeth using Wi-fi. Then remembered I couldn’t get any Signal.

Eventually made it out of the Woburn S28 UPVC door from Safestyle, and arrived at the 72 bus-stop with plenty of time to spare. This morning’s vehicle was a Scania 6024 – infinitely superior in comfort and legroom to the usual Mercedes 410DX which suffers from a lack of capacity and inferior upholstery. Plus the bell is a middle C, which just shouts ‘poor design’. I can’t wait for the new Apple iBus – I’m going to pre-book my seat tomorrow for all next month.

Spent all day at work on my Apple iMacpodbook. My god it’s so cool and expensive. I can barely sit at my desk without becoming aroused at the sight of it. Those sleek curves. That simple yet sophisticated user interface. Those plastic keys. Ooooh.

At lunchtime, I devour my Boots Chicken and Bacon sandwich (barcode 1010010001010) and then disappear to the prayer room to bow my head in the direction of Cupertino, California and read from the book of Jobs.

At 2pm it’s back to my desk. Realise how difficult the past hour has been. But, reunited at last with my Apple iMacpodbook, I’m once again content, happy, and hard as a f***ing rock.

By 6pm (although it says 6.02 on the LCD display on my 800W LG microwave oven) I am home.

Great news! My new Apple MacBook Air (1.8GHz with 2GB memory, 64GB solid-state drive, Built-in 802.11n Wi-Fi2 and Bluetooth 2.1 + EDR) has arrived and is standing in the hallway. I toy with the idea of preparing a meal, but can’t wait a moment longer. So I strip off my shirt, trousers, socks and pants, rip my new first-love from its casing and carry it upstairs in my arms, its parts dangling everywhere, to the bedroom.

Which is where I am now. Typing. Blogging. Web 2.0-ing.

Oh yes!

Leave a Comment

Papers arrived yet?

I’ve stopped writing comedy at the moment, mainly because there’s too much else going on in my life and the funny lines aren’t flowing.

A few years ago I would have tried to struggle on and become increasingly frustrated, but I now see it as a chance to switch from output to input; that is, to absorb other people’s work and use the time to gain experiences that can be drawn upon until the switch flicks back again and I can start using the material I’ve stored.

I like to immerse myself in as much comedy as possible during these breaks, which includes revisiting old classics as well as discovering new gems (or gems that are new to me, at least).

At the moment, I’m enjoying Fawlty Towers all over again. Never mind that I know them virtually back to front – although, unbelievably, there’s always something new I discover. (This time, it’s a reaction from the two resident old ladies – Miss Gatsby and Miss Tibbs – in the dining room, that I’d never noticed before as I was always focused on Basil. Watch them both when Basil discovers Mr Walt, the outboard motor salesman, sitting at Bernard Cribbins’ table in ‘The Hotel Inspectors’. You can view it here – 2 mins into the clip.)

What I love about Fawlty Towers is the brilliantly-crafted plots that gradually build up momentum throughout each episode until poor Basil is running around frantically trying to hold everything together (and failing miserably of course). The same intricate plotting is present in One Foot in the Grave (no surprise from writer David Renwick who wrote the complex plots of Jonathan Creek) and the best episodes of Frasier, such as The Ski Lodge.

All of these fall into the farce genre, which unfortunately is becoming a forgotten art these days, especially in television sitcom. Recent successful sitcoms have lacked the element of farce that older shows had – shows like ‘Keeping Up Appearances’, for example, which – although sometimes not perfectly written – was always great fun to watch.

I was looking through a guide to Fawlty Towers in Waterstone’s last week, and read that John Cleese had taken a lot of inspiration from the farces of master French playwright Georges Feydeau. I’d never read or seen any of his work, so I bought a paperback collection of his plays (thank you Abebooks) and am now working my way through. I love them.

Feydeau lived from 1862 to 1921, and set most of his plays in the 1890s. I found it quite shocking that the scripts mainly revolve around adultery, and feature sexual themes such as impotence and prostitution. You don’t imagine that audiences of that time would have been so accepting of such topics – but it seems that the farce genre allowed Feydeau much more freedom than he would have had if he’d been writing serious drama.

So, I reckon it’s about time farce made a comeback on British television. The country needs some good, old-fashioned laughs right now, and farce is a genre that never disappoints in that area. The right script, coupled with a physical comic actor with impeccable timing and bags of energy would have the nation in stitches once again.

__________________________________________________

Just for fun, here are my top 5 Fawlty Towers episodes:

1. The Germans
The Fire Drill sequence (and here)-4 mins into the 1st clip) is the best thing in any sitcom, period. “WE’RE HAVING IT!” – Hilarious.

2. Communication Problems
Basil at his frantic best. Watch out for the Major getting soaked with a cup of tea (most of which is meant for Basil). Plus one of the funniest lines: ‘Is this a piece of your brain?’ (2 mins in)

3. The Hotel Inspectors
Bernard Cribbins plays his part superbly, and I love it when Basil mentions the hotel guide to Mr Walt. (6 mins in)

4. The Psychiatrist
Would probably have been higher on the list, but it starts a little slower than the rest. But the whole ‘checking the walls’ business is great, and I always, always laugh when Basil bursts out of the cupboard: “Right the game’s up!” (2 mins in)

5. Basil the Rat
‘He put Basil in the ratatouille? Aaaarghhhhhh!!!’ Also, the Major is on form in this episode: “Ah, so you’re the rat inspector! Sorry – starling inspector!” (7 mins 40 in)

Leave a Comment

Will technology save British radio?

Some interesting comments on this Guardian blog about the networking of programmes on commercial stations.

I was lamenting the demise of radio a few blogs ago – bland, music-by-numbers content with DJs not allowed to say what they want and witless promotions and ads searing themselves into listeners brains at every opportunity.

Then I started to think of a scenario that could happen to get us back to the golden age of radio, when maverick DJs ruled the airwaves on the pirate stations and local stations were independently owned and weren’t governed by clueless executives, but by people with a passion for the medium.

The only scenario I can think of is one created by technology. Podcasting hasn’t come close to overtaking radio listening because it’s simply not convenient (or for many, affordable) to listen to podcasts in a similar way to radio (in the car, on a building site, in a hairdressers etc). As soon as people are able to switch on to a stream of creative content just as easily as flicking on Drivel FM, THAT’s when people will realise what they’ve been missing.

Of course, even the commercial stations are struggling against the dominance of the BBC, but perhaps they should ask themselves why the BBC have become so strong?

Indie podcasters are currently struggling to make themselves heard. Some content is crap and some is outstanding – but let’s hope that in the not-too-distant future, we all get a chance to give those who claim to have ‘a better music mix’ a real kick up the same arse from which much of their content is emanating.

Leave a Comment

Projects Update

Well it’s that time again for an update on what’s happening on the writing front now that we’re 4 (gulp!) yes 4 months into the year!

It’s been an interesting year so far for projects evolving in unexpected ways. It’s also a very exciting time opportunities-wise, as there seem to be loads of possibilities opening up for new writing/performing talent to get recognised. It’s difficult to know which ones to go for.

Let’s start with the ongoing stuff:

Clever Little Pod
Few and far between this year (3 so far I think) and for good reason: the focus has shifted onto getting other stuff moving that can build on the motivation and experience CLP has given me. Still going though – CLP 37 is s-l-o-w-l-y coming together and should be out sometime in April.

Clever Little Mag
Wow! What was that all about? A great example – similar to the bugroff viral – of an idea that was thought of, executed and distributed in a matter of days. I love it when that happens – best creative buzz there is (despite the fact it bombed!) Lesson learned: people don’t want to pay for comedy on the Internet no matter how cheap you make it. They want it for free. (Many thanks to the one person who bought it. I’ve no idea what you thought of it, but you made me a happy man!)

Topical Pish
Seven completed, which seems to be the right amount for a series. I don’t envy anyone trying to build an audience from scratch now, because it’s bloody hard. Even with the CLP audience to promote to, the download figures weren’t that high. Was a very useful writing exercise, and it will definitely return, albeit in a different format (with a different character presenter).

Twitter Updates
I was really scornful of Twitter when it first started, and just posted banal updates in a piss-taking, ironic way. But it’s actually a great arena for posting topical one-liners, which seem to be getting some appreciation from those who are following. Fantastic for me – just like caption competitions (which I love entering) it’s an easy way to practice topical humour in just a few snatched moments here and there through the day.

Clever Little Pod Live!
This is the project that’s evolved the most since January; it started out as a special to be marketed on CD, then a live Internet show with webcam, and now – most exciting of all – its evolved into a live show to be put on at a venue here in Brum and recorded in front of an audience! At the moment, I’m busy talking to lots of people who I’d like to be involved and who can help me make it a success. Of all the incarnations of this project, I’m visualising this one as the strongest, with an endless amount of possibilities of where it could go. The script is coming together, I can see the format working really well, and – good grief – I can even see myself performing it. In front of, like, you know – actual people! Blimey!

Competitions
I’ve entered Somethin Else’s ‘We Want New Blood’ competition which involved sending in a 4-minute demo-reel via their online form. They’re looking for new TV and radio personalities. Whether my sketches are anything like what they’re looking for remains to be seen; I always worry that no matter how well I can write, my voice isn’t of the type that they look for, not least because I have mangled ’s’s (which mp3 encoding covers slightly) and the odd Jonathan Woss moment which I didn’t even realise until someone pointed it out a couple of years back. Oh well – it doesn’t seem to have held back Wossy. Or Toyah.
There’s also a call gone out for 15 minute sitcoms that can be easily staged, with an August deadline. Yes, August! I normally only see these dream competitions 3 days before the deadline. But I will definitely be entering this as it gets a lot of attention from some very big producers.

So what do you reckon? Enough to be getting on with? Well yes, but despite that I’m also (co-)organising a reunion of my primary school year as it’s 25 years since we all left in 1983. Oh yes, and I have a business to run too. Which is kind of a priority.

I’d better get some sleep. Ta ta.

Leave a Comment

Ikon Gallery & Perrott’s Folly

I’ve just spent a very enjoyable afternoon at the Ikon Gallery, and later on at Perrott’s Folly in Edgbaston.

The Ikon Gallery is a contemporary art venue located in the Brindleyplace development, just off Broad Street, Birmingham. It’s housed in a wonderful neo-gothic building and features temporary exhibitions over two floors.

Currently featured are the work of two artists:

Juergen Partenheimer is a German artist, and this is his first exhibition in the UK. It includes drawings, paintings, ceramics and atmospheric audio. Of the two exhibitions, this was not my favourite. I’m not that good at describing contemporary art, so I’ll leave it to the experts to do that for you (link will eventually expire) – all I can say is that I enjoy being challenged, surprised and delighted by art, and – perhaps unsurprisingly – the best parts of this exhibition for me were the sound installations. The Tower Room, with its cacophony of voices – in English and German – was a particularly memorable experience.

The second exhibition – ‘Lands End’ by Ruth Claxton – (again, link will expire) – was a delight. Various installations were composed of metal circles at different angles, some with mirrors (which were difficult to identify), some with coloured glass and some empty. On most of the installations sit porcelain figurines – some gaudy, some attractive – that have all been altered in one way – their vision has been obscured. This alludes to a world where perception is divorced from experience (so the notes tell me!) and the artist is apparently a big fan of Second Life.

Some of the mirrors in the installation are angled to create an illusion of depth which is impossible to explain here, but gave me the same sense of awe (and puzzlement) as I felt when I first discovered anamorphic art several years ago at the same gallery.

After wandering around the exhibition rooms, I went for lunch at the gallery cafe which was an unexpected pleasure with first-rate food and friendly staff. I jotted down a few comedy notes as I enjoyed the food and wine, including the best duck in orange sauce I’ve ever tasted.

Then it was off to Perrott’s Folly in Edgbaston – about 15 mins away on foot – to see the off-site section of Juergen Partenheimer’s exhibition – and fulfil an ambition to visit one of the tower’s that inspired Tolkien’s Two Towers.

You can see my pictures of the tower – inside and outside – here.

Leave a Comment

Everything that’s wrong with UK radio…

Here’s a nice game for you: find any mention of the word ‘listeners’ in the Global Radio quotes from this article from Mediaguardian – http://www.guardian.co.uk/global/2008/apr/08/radio

When I’m at work and needing some entertainment – with preferably some local references thrown in – courtesy of a talented presenter, I’ll be thankful that Global are offering changes “intended to help create quasi-national brands and offer a ‘national proposition’ to advertisers.”

Remember when ITV was good? Regional idents? Pride in programme-making? Rather than the national behemoth we have now that plays to the lowest common denominator (ref: Jeremy Kyle, & excluding Harry Hill) Well that’s the way radio’s been going for years too – and now it seems the regulator’s prepared for it to go even further.

Are there any people left in positions of power in the media who give a toss about quality content for listeners and viewers? It doesn’t look like it. I know commercial radio is a business, but it really is spineless to tailor your whole strategy to appeal to advertisers, knowing full well that people will still tune in to mindless audio wallpaper because – let’s face it – there’s nothing on that’s any different no matter where you turn the dial to.

It’s pretty weak to criticise without offering an alternative, isn’t it? So here’s my strategy for “a better music mix” (or indeed just a mix):-

1) Employ presenters who can talk TO an audience, not at them.
2) Give the presenters freedom to be themselves. That means not getting them to say the station name 50 times an hour, along with some inane tagline.
3) Play surprising, quality, carefully-selected music.
4) Get a human being to choose the music!
5) Keep it local. If you have a licence for local radio, then that’s what you should deliver.
6) Try out some NEW formats!! Yes! Amazing though it may seem, you don’t HAVE to have a breakfast show with a man/woman pairing! And – now here’s a shocker – perhaps investing in some creative programming might just win over an audience! Local comedy clubs? Live reports from gigs? The possibilities are endless!
7) Look at alternative funding streams other than ad breaks. Not allowed? Then lobby the regulator!
8) Have some quality control on adverts. If they’re annoying to the point of stupidity then they’re hardly going to enhance your – ahem – “brand” are they? Get rid of moronic ads.
9) Run some competitions that don’t treat participants like they’re imbeciles. And don’t rig them either.
10) Be entertaining. Innovate. Excite. Surprise. Delight. Just don’t patronise or bore me. Please.

Comments (2)